Prelude

Maybe it was the memory of the mirror, appearing as a fluid image in one of the books that I once read, which led me to this forgotten place. The unity of one single person was depicted in the mirror as a symphony composed of present and past and thus as well of future personae; a symphony of life, which would never repeat itself and in which every chord would appear as a possibility for the myriad pluralities accruing from it -- an almost impossible thought in this millennium, in which humanity is about to achieve its objective of tracking everything that is uncertain.

Paradoxically, it was this unknown image of the plurality of reflections that revealed the path to this place, which is not drawn on any map.

 

The rectangular room is painted in bright white. No window or door disturbs the continuity of the walls. However, there must be openings in the ceiling, since natural light enters the room from above, along the walls, as funnel-shaped rays.

 

I am ONE,
I walk to be ALWAYS the LAST in my sequence,
my memories are operators to my dreams.

 

says the girl in the virtual garden

About

The Laboratory for Inhabitable Theories and Research in Architecture | LITRA  was founded by artist/architect Claudia Westermann in 2001. It has since then offered a platform for projects at the threshold of art and architecture some of which have involved interdisciplinary collaborations with other artists, designers, and writers.

 

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Constructing the Hybrid City: Shanghai If the conceptualizations of place – as giving sense to events – are not only romantic ideas that belong to the old times, or maybe to old Europe, but ideas that are universal, then there might be a reason for the emptiness on Shanghai Pudong’s streets and sidewalks. The ubiquity of the image of Pudong’s skyline might give a truly honest account of what the contemporary networked city in China is like  – mobile and placeless. Is there an option for shifting the situation? Is there a need for it, or a desire? Presentation for the CONNECTIONS: EXPLORING HERITAGE, ARCHITECTURE, CITIES, ART, MEDIA conference held in June 2020 in Canterbury.

 
 

 

Seats for Seeing were installed in Beikeng village, Yanping district in Fujian province, China, at the end of November 2019.

The work was made in collaboration with colleagues at Xi'an Jiaotong-Liverpool University Adam Bentley Brillhart, Yiping Dong, and Thomas Wortmann, and with assistance from our alumna Chen Fanyun (mostly on-site) and Ominda Nanayakkara in Civil Engineering (structures consultation).

Seats for Seeing - image

 

Seats for Seeing - image

 

The work is part of the Yanping Art Harvest, running from 30 November 2019 to 29 February 2020. It has its own website at www.seatsforseeing.net.

 

 

Recent Publications

Recent publications include the chapter "A Poetics of Designing" in the book Design Cybernetics, edited by Thomas Fischer and Christiane M. Herr and published by Springer in 2019.

You might have access to the ebook via your academic library's Springer Link subscription. https://link.springer.com/book/10.1007%2F978-3-030-18557-2 (Log in via Shibboleth or Athens).

 

Design Cybernetics book

 

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